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#YAMAHA DTS DECODER HOW TO#
#YAMAHA DTS DECODER 64 BIT#
#YAMAHA DTS DECODER PRO#
#YAMAHA DTS DECODER PC#
#YAMAHA DTS DECODER PLUS#

Since the amplifiers are rated the same between the RX-A6A and RX-A8A, the rest of the channels will receive the same power. Therefore, you may want to use a two-channel amp to run the front L/R speakers to provide additional headroom as necessary.

The RX-A6A will require a two-channel external amplifier to run all 11 channels. The only difference is the powered channels. However, if you are planning to use a set of back surrounds and one or two sets of height speakers, then either the RX-A6A or RX-A8A will do. With Yamaha, I highly recommend front height or a set of overhead speakers to maximise CinemaDSP effects.

#YAMAHA DTS DECODER PLUS#

This can be configured as 5.1 + back surrounds or 5.1 plus a set up height speakers. If all you will have is a 7.1 – 7.2 setup then choose the base model. Yamaha Receivers should be chosen based on their decoded and powered channel counts. This is not quite the same as Denon where higher-end receivers are built using an improved sound platform and substantially different design. Build QualityĪll three receivers have exceptional build quality built on the same platform.

#YAMAHA DTS DECODER HOW TO#

Refer to YPAO – The Lost Manual for more information on how to get the best performance out of YPAO. However, Yamaha’s YPAO is still not as precise with subwoofer calibration as Audyssey XT32 is so careful positioning of subwoofer(s) and / or manual touch-up of the calibration might still be required.

#YAMAHA DTS DECODER 64 BIT#

In addition, 64 bit precision results in less rounding artefacts and residual noise. What this means is that while Denon and Marantz need to downsample high-resolution soundtracks (192/24 and 96/24) to 48/24 precision before feeding it through their Room Correction, Yamaha doesn’t need to do such a thing. Yamaha’s YPAO Room Correction solution is also 64bit compared to Audyssey XT32 which runs at 32bits.

#YAMAHA DTS DECODER PC#

These new receivers are also not affected by the HDMI bug that stopped Xbox Series X and some high-end PC graphics cards displaying over the HDMI ports. Yamaha’s receivers however now offer 8K / 4K/120 input on ALL its HDMI inputs, which is great news and ahead of Denon and Marantz. However, it is possible they might be able to add those in with a firmware update.

#YAMAHA DTS DECODER PRO#

In terms of decoder features, Yamaha is lagging behind in that it doesn’t include DTS X Pro or MPEG-H. Let’s look at a summary of their differentiating features like we did for the current Denon models here. The 3 top end receivers correspond to their old line up as below: 5v for I/Os.Yamaha’s new line-up tries to sexy things up with a slightly controversial new look and a new platform.

Has a built-in PLL oscillation circuit to generates its own operating clock.

Possible to connect most of SPDIF receivers, A/D and D/A converters, by setting I/O data interface format.

Reads Dolby Digital (AC-3)/DTS decode information through the microprocessor interface.

Up to 1.36 second delay time is capable when used with an external 1Mbit SRAM.

High performance 25 MIPS programmable DSP suitable for a variety of sound field processing such as original surround, filtering, virtual surround etc.

Pro Logic decoding for Dolby digital 2 channels decoded signal as well as ordinary PCM.

Original compression mode as well as four compression modes recommended by Dolby.

(possible to decode based on data-stream-number)

Possible to decode multi-language encoded data.

No external memory is required (Memory for center and surround channel delay is included) when DTS decoding as well as AC-3 / Pro Logic.

Dolby Digital (AC-3) / Pro Logic and DTS decode.

Sub DSP is compatible with YSS902, the Sub DSP programs developed for YSS902 are also applicable to YSS912C. Sub DSP is capable of realizing various sound fields, such as virtual surround, by down-loading the program and coefficient. The YSS912C is one chip LSI consisting two built-in DSP’s Dolby Digital (AC-3) / Pro Logic / DTS decoder (Main DSP) and a sound processing DSP (Sub DSP).